Showing newest posts with label best friends. Show older posts
Showing newest posts with label best friends. Show older posts

Permanent Record [1988]

"Everyone thought David had it all.. until the day David ended it all"

Yes, Keanu Reeves is in this movie. No, it doesn't suck.

Permanent Record is the story of David Sinclair (Alan Boyce), a popular high school kid who seemingly has just about everything going for him. Perfect grades, a sterling reputation with teachers and a fine relationship with his parents and little brother. His outstanding musical talent doesn't go unnoticed either, having just been handed a scholarship to a highly regarded music college. In an ideal world, David couldn't be happier..

Chris (Reeves) has a thing for music, too, and spends his spare time jamming in the band that he and best friend David created.

A popular haunt for the local kids are the sea-side clifftops - a convenient parking spot, where they can drink beer, hang out and do as they please. One night, during the celebration party (complete with chips, dips.. and vegetables) thrown together by Chris and David, those cliffs - the same cliffs where girlfriends and boyfriends go to play music and make out - are to be the scene of something way more sinister, unforeseeable and tragic than any of the teens could imagine. The heartbreak that is in their midst is only minutes away from shattering an entire community - most of all Chris - who is unfortunate enough to be at the fateful scene as it unfolds.

Suddenly David, the hardworking, straight-A student, is nowhere to be found. Not at the party. Not with a girl. Not with his guitar, or his band mates. But dead. That's right. Dead. And the last place anyone had seen him alive was on the edge of the Oregon cliffs. Chris, being that someone, tries to come to terms with what instant reaction tells him was a terrible, freak accident. While the news breaks to his parents and the rest of his school, their first thoughts are also telling them the same: it was an accident. It could have happened to anyone. Still, nobody can quite accept that this kid - a kid with such a promising future, had so unfairly lost his life.

While shockwaves are still circulating, Chris finds it difficult to concentrate. His mind is elsewhere - how can school work possibly matter when you've lost your best friend? As his drama class prepare for their performance of HMS Pinafore, the responsibility of writing the music for the production - a responsibility which had previously lie in David's hands - is re-assigned. On instruction from the school principal, the drama teacher, although reluctant, agrees to hand the job over to a still-traumatized Chris. Knowing that his strong point within his band was never songwriting, Chris questions his own ability, as well as the rationale behind the Principal's instructions. Little does he know that his inner songwriter will soon come to light and not only pave the way for an amazing school production, but also come to terms with the loss of his best friend.

In the days to come, Chris receives what appears to be an insignificant package in the mail. Inside, he finds sheet after sheet of unfinished music, accompanied by a note. "I wanted everything to be perfect. It wasn't", it reads. An enormous stone drops right there and then. Heaving as he races to the bathroom, with the horrible truth swirling in his head, Chris begins to scrutinize both the note and the reasoning behind David's suicide. Should he tell everyone? Or should he keep it to himself? How could he possibly break the news to David's parents?

Eventually, the genuine circumstances surrounding David's death are made apparent. Almost as if he had died all over again, nobody can quite believe or understand it. Principal Verdell, who had promised to hold a memorial service at the school, is told to re-think his plans of "promoting suicide". Angered that Verdell has gone back on his word, Chris is expelled for smashing a window in his office. To make the situation worse, his father takes away his only means of escape - his guitar. No guitar, no songwriting. No songwriting, no HMS Pinafore. Life seems to be on a downward spiral for Chris, but can he climb back up before it all ends in tears?


VERDICT: ★★★★


Amazing performances, a tearjerking plot, a fantastic soundtrack. Permanent Record wholeheartedly deserves the cult status that clings to it. Why it is so overlooked is one of the many mysteries of the film world. One thing Permanent Record can be commended for is the non-1988 quality about it. It isn't brimming with dodgy fashions and music and dancing, neither does it commit the typical teen movie crime of depicting parents and adults as idiots. It's a movie with a big heart and big brains. The only real downer is the manner in which it rockets from sincere and depressing almost all the way through, to damn cheesy in the last scenes. But who cares? This is no action-packed, slapstick craziness, but a slow-paced, heartfelt display of human emotion among genuine characters and an unvarnished storyline. After School Specials eat your heart out!


IMAGES/VIDEOS: [movie clip]



SOUNDTRACK:


Yet another out of print little gem!

1. Trash City - Joe Strummer
2. Baby The Trans - Joe Strummer
3. Nefertiti Rock - Joe Strummer
4. Nothin' Bout Nothin' - Joe Strummer
5. Theme From Permanent Record [Instrumental Score]
6. 'Cause I Said So - The Godfathers
7. Waiting On Love - Bodeans
8. Wishing On Another Lucky Star - J.D. Souther
9. All Day And All Of The Night - The Stranglers
10. Something Happened - Lou Reed

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Modern Girls [1986]


"They're old enough to know better, and young enough not to care!"

Margo, CeCe and Kelly are best girlfriends. With boring nine to five jobs, they take full advantage of the LA nightlife at every opportunity. It begins on an average day; pretty Kelly (Virginia Madsen) is busy at work in the pet store - the guys outside more interested in her than the kittens in the window. Glamorous Margo (Daphne Zuniga), bored to death with her less-than-glamorous occupancy as a telephone salesgirl. And finally, the carefree CeCe (Cynthia Gibb), having a blast as a department-store worker, making-over customers in the beauty section - until her boss sacks her for transforming a middle-aged customer into an unsightly and brightly coloured punk!

When work hours are over and the sun goes down, the girls return to their apartment, and after a quick power-nap, are getting ready for a night on the town. Kelly, ditching Margo and CeCe, decides to take the car and whiz over to a club where her kinda-boyfriend-kinda-not - DJ, local legend, and asshole, Brad - is playing a set. There's soon a knock on the door from Kelly's so-called date, Clifford (Clayton Rohner). Margo glances out of the window, noticing Clifford's convertible and, realising her and CeCe have no car for the evening, invite him in. He asks after Kelly, with Margo replying; "didn't you know? We're meeting her later".

Clifford - CeCe soon nicknaming him Cliffy - doesn't seem too pleased about being roped into giving the girls a lift, but, believing he still has a date with Kelly, goes along with it. Turning up at a club, the girls and Cliffy approach Kelly who is across the room, all over her DJ kinda-boyfriend kinda-not. Cliffy is gutted, but Margo convinces him to cheer up and forget about it. Margo, Cliffy and CeCe dance & drink the night away, unaware that asshole Brad has done his usual stunt and rejected Kelly, leaving her alone and miserable. All of a sudden, the club begins to buzz and CeCe is ecstatic when the chart-topping rock star Bruno X (Clayton Rohner.. yup, he plays duel roles!) appears. Attempting to grab his attention but with no avail, she literally throws herself on him.. BOOM! Love at first sight. The club then gets raided and everyone scarpers, Cece and Margo following Cliffy back out to his car. After a heck of negotiation, the three go on a hunt for Bruno X, failing miserably on first attempt and almost getting shot off the road by terrorists!

Gasping for another drink, they wind up in a club full of goths - not the happiest of environments! Suddenly CeCe's brain clicks, finding a pack of matches with the name and number of a hotel on - the matches Bruno had given her earlier on! In another bid to track down CeCe's apparent true love, Cliffy poses as Bruno in order to call the hotel and listen to his messages. Succeeding, they rush downtown to the location of his video shoot, hoping to find the rock superstar.. but he is nowhere to be seen. Quickly switching their priorities, the gang of three start to worry about Kelly and, rather than wasting more of their time searching for Bruno, drive off to find her.

Arriving just in time to rescue Kelly from a sticky situation involving ecstasy and a pool table, they bundle into the car. Putting two and two together, they come up with and idea that CeCe won't let go of, in the hope that it'll lead her to Bruno X. Turning up at an exclusive club where they believe Bruno might be hanging out, they swindle their way in with Cliffy being passed off as a cool Bruno X lookalike. Again, their search seems to be getting them nowhere, and CeCe's patience is running thin. When all seems lost - by a stroke of luck - she runs into a guy who seems to have just the information she wants about the whereabouts of the love of her life. Just when she thinks the guy of her dreams is within her grasp, Kelly disappears, whisked away by a guy she'd met earlier that evening. Cliffy and the girls start to worry about her and another mad chase ensues, leading to all four being held up in the police station.

Tired, weary and out of luck, Cliffy, Margo, CeCe and Kelly have just about had enough for the night. But CeCe won't give in that easily and, knowing Bruno X might be closer than they think, they give it one last go at finding the MTV star.


VERDICT: ★★★ ½



Granted, Modern Girls doesn't have the greatest plot, and to some may feel a little pointless at the end of the hour and twenty minutes. But, you will honestly not find a more '80s movie anywhere, ever. You've got LA nightlife, you've got clubkids and their outrageous outfits, you've got a bunch of girls living in just about the most trendily decorated and furnished apartment of 1986, you've got one of the most well-assembled soundtracks of the decade, you've got essential '80s stars.. The list could go on and on and on. Every single aspect of the movie is something that, today, wouldn't be seen anywhere. And for that, Modern Girls deserves to be bought a drink.

If you can't appreciate this movie for what it is, for the fact that it carries you right back to the neon-lit decade of synth-pop and flame-coloured eyeshadow, then you really shouldn't bother with '80s movies at all. You gotta dust your tape machine off for this one too, still out of print and unlikely to be released on any shiny little disks anytime soon. But, once the credits roll and you press rewind, the whirring in your ears of those reels winding themselves backwards just adds to the once contemporary, now wickedly outdated (and all the better for it!) experience of Modern Girls.

You'd be silly not to check out the treasure trove of a site dedicated to this movie, moderngirlsmovie.com. How cool is that?!


IMAGES/VIDEOS: [movie clip]





SOUNDTRACK:



The Modern Girls soundtrack is a great mix of new-wave and synth-pop tunes, and usually you'll find more than one LP/cassette up on ebay for less than the price of a hamburger. A great soundtrack, standout tune being But Not Tonight by Depeche Mode - then again, each and every song fits perfectly with the accompanying scenes, for example Weak in the Presence of Beauty which plays during
CeCe & Bruno's first kiss.


1. But Not Tonight - Depeche Mode
2. How Many Lovers - Anthony & the Camp
3. Weak in the Presence of Beauty - Floy Joy
4. Girl Pulled a Dog - Femal Body Inspectors
5. Girls Night Out - Toni Basil
6. Concentration Breakdown - George Black
7. Jealousy - Club Nouveau
8. No Promises - Icehouse
9. One Way Love - TKA
10. Some Candy Talking - The Jesus and Mary Chain


The soundtrack is excellent, but is unfortunately incomplete, with many songs featured in the movie now near-impossible to get your hands on. Modern Girls lovers are often on the lookout for tracks performed by the voice behind Bruno X, Scott Rogness, however they seem to have faded into total obscurity - much to the disappointment of Bruno X fangirls (including myself).

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Mischief [1985]

"The first time seems like the worst time, but it's the one time you'll never forget!"

Jonathan is a shy and geeky teenager, living in 1950's Ohio. In his seventeen year life, he's never had a girlfriend - but that doesn't stop him from having the hots for the gorgeous Marilyn McCauley (Kelly Preston). He has absolutely no courage whatsoever when it comes to asking her out, so he spends his time gawping at her and embarrassing himself in public. He knows a guy like him wouldn't have a chance with a girl like Marilyn in a million years.. But his luck is about to change.

Soon, his quiet suburban neighbourhood is all shook up by a motorbike-riding James Dean wannabe kid named Gene (Chris Nash). Jonathan is intrigued, and decides to introduce himself. He soon finds out that Gene, being the badass that he is, was kicked out of his previous school, with his dad hauling him to Nelsonville to start a new life. When asked why he was kicked out of school, Gene replies; "I fucked two girls". The two then cruise over to the fair, scraping their cash together to each have a go on the kissing booth. Jonathan is mortified when Gene wins Marilyn and spends a few seconds too long with his lips on hers. But it isn't Marilyn that really catches his eye, its kissing booth girl number three, Bunny (Catherine Mary Stewart).

Although complete opposites, Jonathan and Gene become best mates. Every minute of the day is spent conjuring up ideas of how Jonathan could possibly get close to the beautiful blonde that any guy would die for. Most of the attempts lead to humiliation for the both of them, each situation even more hilarious that the last.

Things seem to be getting somewhere, finally, and Marilyn approaches the guys one day. To Jonathan's dismay, she ends up asking Gene to the drive-in to see Rebel Without a Cause, and gives him her phone number. Jonathan storms out of the diner, frustrated that his attempts are getting nowhere. He argues with Gene about leading Marilyn on, until they come up with a plan of action.

Gene invites Marilyn to see the movie, asking her to bring best friend Bunny to keep Jonathan company. The four watch the movie; Gene thinking of Bunny the whole time, and Jonathan jealous that Gene is sharing the front seat with the girl he'd do anything for. Bunny's preppy boyfriend and his gang then walk past the car, spotting her in the backseat. The gang decide to cause a confrontation; a huge punch-up ensues, windows and tables being smashed here there and everywhere. Being the rebellious new kid in town, the blame is pinned on Gene and the entire crowd now gathered around the incident is told to leave or else. Bunny's boyfriend then challenges Gene to a game of 'chicken' - parallel to Rebel Without a Cause. Both cars end up smashed up and when Gene returns home, he is greeted with a smack round the face by his father and is told to stay in his room.

Later that evening, Jonathan turns up at his house, worried after seeing his best friend being smacked around by his father. They drink quite a bit and blast out some rock & roll until sneaking out on Gene's motorbike and riding into town. Wobbling all over the road, a police officer ticks them off and sends them on their way, but rather than going home to get some sleep, the pair decide to have a little fun. Breaking into 'Brubakers' - the biggest Department store in Nelsonville - owned by the parents of Bunny's boyfriend, they reposition all of the mannequins. By the next morning, the whole incident has caused quite a stir in the usually-quiet town.

Feeling a hell of a lot more confident than usual, Jonathan calls Marilyn and asks her out on a date. Expecting to be rejected yet again, he's stunned when she says yes. Again Gene, Jonathan, Marilyn and Bunny double-date, but this time each with the person they want to be with. Gene and Bunny slowly find themselves falling for one another, and soon Jonathan has no reason to worry about that little thing called virginity!


VERDICT: ★★★★ ½



Essential '80s teen movie stars Catherine Mary Stewart and Kelly Preston are perfect as '50s gals and Mischief is one of the best, if not the best flick either of them have been in. Chris Nash does a great job as a greaser badboy, and it makes you wonder where on earth he has disappeared to in recent years.

Mischief is regarded as - or at least should be - a classic teen movie. Screw Siskel & Ebert and their two thumbs down. It is absolutely hilarious from start to finish, but is balanced out with some serious, real-life moments.


IMAGES/VIDEOS: [trailer]



SOUNDTRACK:


None available.

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Welcome to 18 [1986]

"It took a little danger, a little romance, a big 'gamble', and a lot of luck to get them this far.."

Welcome to 18
begins with us meeting best girl-friends Lindsey (Courtney Thorne-Smith), Joey (Mariska Hargitay) and Robin (JoAnn Willette). School is over and the girls decide to have an adventurous summer together; they raise their glasses to 'freedom and fun' and are then off in their convertible to Lake Tahoe, where summer jobs await them.

The three end up at a ranch, which at first sight seems like the perfect summer vacation. But as soon as they are assigned their jobs, Lindsey, Joey and Robin all begin to wish they had stayed at home. After a long week of hard work and no play, the girls wait with anticipation for their wages. This turns out to be the last straw, however, and when they are each paid less than a satisfactory wage they pack up their suitcases and leave.

With nowhere to go and barely any money for a room elsewhere, the girls deliberate over what to do. Robin convinces Joey and Lindsey that she knows the perfect place - they take her word for it and drive out there. Soon they turn up at a flashy lakeside condo belonging to two guests Robin had met at the ranch, Talia and boyfriend Roscoe. The couple let them stay, and soon the girls and new best friend Talia are having a total blast.

It's not long before Roscoe has fixed the girls up with fake ID's in order for them to work at a local casino to earn some money. This allows them to move out of Talia and Roscoe's place and into a small cabin, where they are neighbour to outrageous transvestite Fuschia. Things seem to be going great until the girls are invited to a party at Roscoe's and it gets busted by cops. They are arrested on prostitution charges and thrown in a cell until Roscoe agrees to pay their bail money. Once released, they are given an ultimatum; pay up and get out of town or else.

Then one night, Talia turns up at their place bruised and bleeding and the girls realise that Roscoe is nowhere near as nice as they once thought. Lindsey then decides that she can win Roscoe his money back in a card game - thanks to learning some tricks in the casino - and the girls convince Talia to leave with them once they've paid up.

Will Lindsey win back his money? Will Talia leave with them? And more importantly, will they get revenge on hard-man Roscoe?



VERDICT: ★★★ ½



In many ways this movie is reminiscent of Modern Girls, the friendship between the three girls, the fashions - even made the same year. The scene where the girls get ready for the party is very similar to the 'getting ready' scene at the beginning of Modern Girls, too, and both have awesomely '80s soundtracks. One nicer aspect of Welcome to 18 is that it's not the usual lower budget '80s teen movie - no T&A! The whole thing is incredibly lighthearted despite the gangster subplot.

Both Modern Girls and Welcome to 18 serve as complete and utter time capsules, but don't take this one seriously - after all, when are summer vacations meant to be serious?


IMAGES/VIDEOS: [movie clip]



SOUNDTRACK:


Coming soon!

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Times Square [1980]



"Times Square is the music of the streets"

Times Square begins with a completely riotous entrance by Robin Johnson. Carrying not much other than a guitar and amp, the ferocious Nicky Marotta casually walks the New York streets. A backdrop of sleazy clubs and even sleazier New Yorkers set the scene - the night lit up with glowing colours and the sound of Roxy Music.

We follow street smart runaway Nicky, as she causes commotion - and in true punk style is arrested for smashing car headlights. After experiencing Nicky's erratic and fearless behaviour, the cops have her committed to the local psychiatric hospital.

Meanwhile, sheltered and wealthy Pamela Pearl is convinced she isn't 'normal'. Writing letters to local radio DJ Johnny LaGuardia (Tim Curry), Pammy describes her unconventional life and way of thinking. Her high-flying father soon decides to have Pamela institutionalized for her own good, and it is here that riot girl Nicky and her meet.

Pamela is intrigued by her rebellious roommate Nicky, watching her as she swears at doctors and eats the petals of her bedside roses.

Soon, Nicky has had it with hospital life. With the Ramones blaring from her boombox, she urges Pammy to run away with her. Using an ambulance as a getaway car, the two crash and smash their way as far from the hospital as they can - finding shelter in a run down old building. This is where the girls declare themselves as 'Sleaze Sisters' - partners in crime - stealing, betting, performing in a local club and (attempting to!) mug a local for money.

The Sleaze Sisters create a trail of destruction, with Pamela's dad hot on their tail to get his daughter home, safe. DJ Johnny LaGuardia announces the girls missing, yet allows the pair to broadcast their rebellious anti-society opinions and music live on air.

By now a cult has formed around the Sleaze Sisters, with New York teenagers admiring their hard-boiled views on society. But this doesn't stop the girls from having ups and downs, and experiencing the harsh truths of life; testing their almost love-like friendship to the extreme.

The Sleaze Sisters manage to go out with a bang, the film ending with Nicky, her guitar, and a whole load of chaos in Times Square.


VERDICT: ★★★ ½

Times Square is brilliant in the way it shows teen rebellion, friendship and emotions. Yeah, it has quite a few "that would never happen!" moments, but the girls' friendship is realistic. The film originally intended to have more of a lesbian slant - you can still see this in a few of the scenes and quotes, a favourite of mine being Nicky's "everything you say is poetry" speech to Pammy.

It is a total diamond in the rough and a great punk movie. The story apparently came together after director Allan Moyle found a diary of a mentally-ill young woman in the back of an old couch.

In my opinion the film has a really raw feel. It certainly isn't perfect, but there are so many near-perfect elements, two being the soundtrack and Trini Alvarado and in particular Robin Johnson's performance. Personally, I LOVE this movie, and am so glad to finally own the dvd. Anchor Bay, we salute you.


IMAGES/VIDEOS: [
trailer]




SOUNDTRACK:


The double LP soundtrack took a beating before being released, Allan Moyle arguing with the studio over certain picks that he felt weren't appropriate. In a certain sense, I agree that the odd disco track is quite misplaced, but on the other hand, it emphasises the period of the late seventies/early eighties. No wonder the Sleaze Sisters had such a following - teenagers having to contend with that same-old disco pap that had been dragging on for years. Then all of a sudden, here come Nicky Marotta and Pamela Pearl, afraid of nothing, opposed to authority.


1. Rock Hard - Suzi Quatro
2. Talk Of The Town - Pretenders
3. Same Old Scene - Roxy Music
4. Down In The Park - Gary Numan

5. Help Me - Marcy Levy & Robin Gibb
6. Your Daughter Is One - Robin Johnson & Trini Alvarado
7. Babylon's Burning - The Ruts
8. You Can't Hurry Love - D. L. Byron
9. Walk On The Wild Side - Lou Reed
10.The Night Was Not - Desmond Child & Rouge
11. Life During Wartime - The Talking Heads
12. Pretty Boys - Joe Jackson
13. Take This Town - XTC
14. I Wanna Be Sedated - The Ramones
15. Damn Dog - Robin Johnson
16. Innocent, Not Guilty - Garland Jeffries
17. Grinding Halt - The Cure
18. Pissing In The River - Patti Smith Group
19. Flowers In The City - David Johansen & Robin Johnson
20. Damn Dog (Reprise) - Robin Johnson & The Cleo Club


The soundtrack is one of a kind, brilliant tracks from Patti Smith, the Ramones, the Ruts, XTC, as well as songs performed for the movie - 'Damn Dog' and 'Your Daughter is One'. Although Robin Johnson isn't one of the greatest singers of all-time, her audaciousness and uncooked vocals make a perfect team, fitting the Sleaze Sister image like a glove. It is practically impossible to list the best tracks of the album as they are part of a fantastic, must-have soundtrack, that is very near to being perfect.

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