Showing newest posts with label breakdance. Show older posts
Showing newest posts with label breakdance. Show older posts

Fast Forward [1985]

"When you've got one shot at the top you've got to move"

The Adventurous Eight - a group of (how many? Err, eight!) teenagers from a small town in Ohio who crave stardom so badly that they spend their spare time rehearsing their home made songs and dance routines in a locked up old building after knocking off from school each day. But in the smallest towns lie the biggest of dreams, and these eight kids have all the determination and drive they need to take them all the way to the top. But getting there is the hard part.

A reluctant promise of an audition from a bigshot dance exec leads the kids to the Big - and mean - Apple, but on arrival at the company headquarters they are greeted by some unexpected and unfortunate news. The very guy who had promised them an audition had not only left the dance business, but died! Having travelled all the way to New York City, the Adventurous Eight refuse to be rejected, and the two (and only) male members of the group - Matt and Michael - take the situation into their own hands and try a bit of pleading. Begging the new company owner to give them a shot, he eventually gives in, telling them to audition in two weeks time. Bad news! None of the teens had banked on staying for that long, neither did they have enough cash in their pockets to. But giving in so easily isn't an option..

The kids come to the decision that the only way of making it is to stay and show the world what they're made of. So they rent a rather squalid apartment, spruce it up, and assemble a plan to raise enough money to live on until the day of the big audition. Step one: crashing a swank restaurant to showcase their moves. Miraculously, their routine leads to a standing ovation from the wealthy diners, who proceed to throw their money at the talented gang.

Over the next couple of weeks, the Adventurous Eight continue to raise money by any means possible: passing out business cards; dancing in front of crowds on the streets; you name it. But all work and no play isn't a phrase in the teenagers' dictionary and with the chance to hit the clubs and check out a famous dance hotspot, they can't resist. What they don't realize is that word has gotten out of their talents and a local badass dance crew ain't too happy about their presence. Time for a dance battle, baby! Only, this is one battle the small town country kids are destined to lose.

On a downer after being upstaged by the fresh dancers at 'The Zoo', and well aware that their audition day will soon be arriving, the Adventurous Eight vow to step up their act. And what that calls for is practice, practice, practice. Will they be able to get their own back and not die from embarrassment this time around?

Impressing the club-goers isn't their number one priority, and next in line is their shot at the big time with Sabel Industries. Turning up for their anxiously awaited audition, the kids face another huge knock-back when they are rejected once again, and in spite of the verbal contract between them and the company owner, it turns out to be yet another false promise. Furious that they have been deceived, a persistent Matt and Michael conspire one final plot which is to be their last lifeline on the road to fame. Will they make it to the huge Sabel talent contest? And will all their blood, sweat and tears pay off in the end?


VERDICT: ★★★ ½


Woah! What's this movie called again? Loose Footed Teenagers in Spandex Just Want to Have Fun While Pursuing Fame and Dancing Flashly But Not So Dirtily 2: Electric Boogaloo? Oh no. I got a little confused there.

We all know that the wondrous '80s pumped out a multitude of dance movies. I mean, there are just so many of the damn things that they are in a universe of their own. Fast Forward is one that is very rarely mentioned, even among geeks of the genre. Although it is nothing you haven't seen before, it's a shamelessly enjoyable romp about wearing leg warmers and making your dreams come true. It has the obligatory dance battle, the fixing up of a run-down building, the whole "we can make it no matter what" attitude. You just can't match flicks like these (not these days, anyway). Inevitably, you've gotta cringe through some corny bits of acting, but on a whole that side of things is a lot more bearable than you'd expect.

A harmless bit of fun, complete with a generous amount of staple '80s fashions and fads, a plot that can never be taken too seriously, and a guy dressed as Boy George.


IMAGES/VIDEOS: [movie clip]



SOUNDTRACK:


Only one complaint to make about the soundtrack. In fact, the soundtrack isn't at fault here - the movie only features a few seconds of Siedah Garrett's Do You Want It Right Now. Hands down, the best track in the entire movie. Breakin' Out isn't too far behind in terms of awesomeness, though.


1. Breakin' Out - Deco
2. Do You Want It Right Now - Siedah Garrett
3. Long as We Believe - Siedah Garrett & David Swanson
4. Curves - Deco
5. Taste - Deco
6. Showdown - Pulse
7. Survive - Deco
8. Fast Forward - Deco

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Making The Grade [1984]

"If you can't make it.. Fake it!"

Down the rough backstreets of Jersey, homeless bum and smalltime crook Eddie Keaton (Judd Nelson) is going about his day. What seems like a million miles away, rich kid Palmer Woodrow (Dana Olsen) is waking up in the lavish mansion he calls home. The only shared characteristic of both Eddie and Palmer is their inability to define the word 'work'. Things are about to change.

Having failed his few attempts at graduating, Palmer is now spending his days lounging around with a beer in one hand and a golf club in the other. Lacking the supervision of parents and taking full advantage of the fact, the last thing he expects to be faced with is any kind of ultimatum regarding his future. Unluckily for him, his worst nightmare is about to come true: he is enrolled at preppy heaven, Hoover Academy. And the only alternative is to venture out into the big wide world and get himself a job. With his entire trust fund and bachelor-boy existence in jeopardy, Palmer - to much disdain - settles on the first option. Of course, in comes the catch..

On the run from mindless gangsters who are out to recover the three thousand dollars that is owed to them, street kid Eddie makes a dash for the nearest means of refuge. And refuge comes in the form of a locker room in the exclusive golf club just a stone's throw away.

"You know what the joke of this whole prep school thing is?" says Palmer, as he wanders into the locker room with best friend Rand following an unsuccessful round of golf. "My parents won't even know if i'm there or not. And that's what really bugs me. Who knows any poor people? If I did i'd hire one to go to school for me and i'd be off to Europe. Hey.. you know something? Nobody at that school knows what I look like. My father'll be traipsing all over the world on business and my mother'll just be traipsing.. Why wouldn't it work? Pay some guy like five.. six hundred bucks a month and a bonus to graduate.." In comes luck - and in comes Eddie Keaton.

The new term at Hoover begins and the whole place is dominated by clean-cut kids and pastel coloured polo shirts; an image that is about to be shattered when Eddie pulls up in what was once a yellow cab. He glides out of the vehicle, kitted out in an getup stamped with 'Keaton' from head to toe. Of course the bright red suit, gold chains and sunglasses just wouldn't be complete without the accompanying ghetto blaster, quite literally blasting. Fitting in isn't exactly one of Eddies' strong points. Playing a convincing Palmer Woodrow is another issue altogether.

Assigned with the messy task of straightening out any of Eddies' slip ups, an unimpressed Rand schedules an immediate lesson on the laws of an American preppy. "Learn to love yellow and pink. Clothes, they should look like you inherited them from your older brother. Pants, now they should look like you outgrew them last year". Eddie quickly begins to have second thoughts on taking up such a monumental task. That is, until he spots the wealthy and gorgeous Tracey and falls head over heels in love with her. Who knew a good for nothing street kid would find love at a prep school?

So now it's a matter of winning over Tracey while still playing his best Palmer Woodrow, not to mention graduating. And don't forget those brainless gangsters, who are still eager to locate the three thousand bucks they are missing. Can Eddie pull it all off?


VERDICT: ★★★ ½



How can you not appreciate an overlooked comedy gem, starring Judd Nelson in his usual bad boy role? You can't. And while he nails the character of Eddie Keaton in a way no one else could, the majority of laughs and comedic talent is displayed in the shape of Dana Olsen as the 'real' Palmer Woodrow, breaking out lines like "(i'm the) exchange student from *BELCH* Slobovia" . To add to it, you've got Andrew 'Dice' Clay as the would-be bigshot gangster, threatening to break legs and take part in all other sorts of sinister procedures. Topping off the comedy is the hilarious Walter Olkewicz in the role of the overweight and uninspired phis ed teacher, Coach Wordman (who is introduced to us with a couple of hookers on his arm, declaring "IS IT SEPTEMBER ALREADY?!").

Though there aren't a whole lot of memorable moments, the scene on how to act and dress like a preppy has got to be one of if not the best of the entire movie, and the mockery of the '80s preppy lifestyle never fails to entertain. In fact, the horrendous fashions are enough to convince you to see Making the Grade, and explains exactly why the alternative movie title is The Last American Preppy. But it doesn't end there either! You've got an extremely dated, almost one hundred percent synthesized soundtrack, to which Judd Nelson at one point performs an entire breakdance routine. I'm not joking.


IMAGES/VIDEOS: [trailer]



SOUNDTRACK:


Only 1000 CD copies of the soundtrack were pressed and there are a lot of fakes floating around - the LP is an easier and cheaper option! A little bit of trivia regarding the singer Shandi: a popular pick for '80s teen movie tracks, her song "7 Day Heaven" was used in the 1984 beach movie Where The Boys Are '84.


1. Hoover Academy
2. Palmer’s Mansion / Robin Hood
3. Biff and Muffy
4. Cary Grant
5. Fire Drill / La Crosse / Hoover Award
6. Diceman’s Dilemma / Shopping for Preppies
7. Violins for Muffy
8. Good Fortune
9. Nicky buys Hoover / Horse Play / 1st Call to Breakfast
10. Class Act / Good Presents
11. Graduation
12. Love Montage
13. Golf Chase
14. Making the Grade
15. Come If You Want To - Michael Linn & Richard Kraft
16. Living on the Edge - Shandi
17. Double Trouble - Shandi
18. The Diceman Cometh - Larry Lee & Shandi Sinnamon

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Body Rock [1984]

"Dance Until You Drop!"

The Body Rock Crew - a bunch of kids from New York, who spend their time graffiti-ing trains and holding up traffic with their synchronized street breakin'. Along with their front man Chilly D (Lorenzo Lamas), the poppin', rockin' gang headline a local club to showcase their talents in the hope of catching the eye of manager Terrence Mitchell (Ray Sharkey). And catch his eye they do, but it isn't all good news.

When Chilly turns up in his office to arrange a contract, he's greeted with some unwelcome news. It isn't the Body Rock Crew that Terrence is after - it's Chilly. His only options are to ditch his mates and make it big, or flat out decline the offer and wind up back where he started - as a good for nothing New York street kid. Without a second thought, he rejects the offer of being rocketed to stardom and returns home to explain to best friend E-Z (Cameron Dye of Valley Girl fame) the underhand terms of the deal.

Away from the madness of show business, Chilly is beginning to get involved with E-Z's sister Darlene, and they start dating.

The Crew eventually convince their front man to accept the deal if he promises to, one by one, swindle each of them into his acts. Accepting the deal, Chilly is signed to a hip club, but also to Terrence's pocket. Hit by immediate fame and fortune, he moves away from home, out of his neighbourhood and away from his friends. With Chilly breaking promises left right and centre, constantly spending time with his upper class contacts and hanging out at his flash new pad, the Crew are slowly becoming disenchanted with the whole deal. Things hit rock bottom when Chilly finally does make an appearance back on his old turf, kitted out in dodgy personalized leather outfit, followed by a huge gang of admiring kids. Oblivious to how much of a jerk he has been to his friends, the Crew disown him and Chilly is left confused and sad.

Storm clouds are on the horizon and the situation spirals downwards when, after a gig, Chilly punches a guy who tries (and fails) to come onto him. All of a sudden, no one in the music industry seems to acknowledge his presence, and Terrence bans him from his usual gig hot spot. As it turns out, the guy he punched just happens to be the owner of the club AND Chilly's apartment block. He is shunned off the scene by all of the big shots, and promises of an album release are crushed.

To top things off, the love of Chilly's life, Darlene, is unimpressed with his behaviour and tells him to get out of her life for good.

The slimy managers at the club then make the decision to rip off Chilly's material and hire a brand new performer to clone his popular style. Chilly has just about had it, and on hearing of his betrayal, makes his way over to the club to set the record straight. But can he win back his once plentiful respect, not to mention his real friends?


VERDICT: ★★



My god. Body Rock. Say hello to New World's attempt to cash in on the early eighties hip hop explosion. Where many of these movies manage to show us a hell of a lot of great dancing - specifically Breakin' and Beat Street - Body Rock is not one for the list. Aside from the brief appearance of the New York Breakers, the moves demonstrated by Lorenzo Lamas (why oh why was HE chosen for the role?!) and his crew are pretty laughable at best.

Any bearable qualities of the flick are few and far between; eye poppingly ghastly fashions matched by some equally eye popping set dressings, for example, the huge ghetto blaster club scene. Both are unmistakably '80s and so far lost in the past that you have to see it to believe it. Which is half (well, all) the fun of the movie. The plot, or lack of one, is also laughable, as is the scene where the leery club owner tries his best at getting himself a little Lamas action.

Nothing memorable here. Wins extra points for the dodgy outfits and the partially decent soundtrack.


IMAGES/VIDEOS: [trailer]



SOUNDTRACK:


The title tune is about the most enjoyable of the whole soundtrack and found itself at a respectable place in the charts back in '84. Laura Branigan and Ashford and Simpson really aren't too bad either. Corniest track probably has to be 'Deliver' by Martin Briley, which tries it's hardest to set a serious tone to the movie during Chilly's downward spiral. The fact is, it fails.


1. Body Rock - Maria Vidal
2. Teamwork - David Lasley
3. Why You Wanna Break My Heart? - Dwight Twilley
4. One Thing Leads to Another - Roberta Flack
5. Let Your Body Rock (Don't Stop) - Ralph McDonald
6. Vanishing Point - Baxter Robertson
7. Sharpshooter - Laura Branigan
8. The Jungle - Ashford and Simpson
9. Deliver - Martin Briley
10. The Closest to Love - Ashford and Simpson

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Breaking All The Rules [1985]

"She's got one last day to do everything one last time!"

For the third summer in a row, Jack Fleming (Carl Marotte) is busy working at the local amusement park. But, seeing as it's the last day of summer, he's determined to live it up with best pal David (Thor Bishopric), who he sets out to find. But on the way, he spots the gorgeous Debbie, who he has a hard time forgetting.

The outrageous sixteen year old Debbie is also on a mission to make the last day of summer worthwhile, and after reinventing her image by chopping off her hair and spiking it up, is off to meet best friend Angie. On arrival at the bus stop, Debbie's drastically different appearance manages to fool even her best friend, who has to look twice before managing to identify her! It's on the bus that the girls first spot Jack and David, who they later meet up with at the fun park.

When the four do bump into each other at the park, Jack has no idea that Debbie is the same girl he had seen hours earlier and fallen madly in love with. Put off by her punky look, he decides to take a crack at Angie and forces the shy David to spend his time with Debbie. Both of the girls, however, have an eye for Jack, who shows off by winning them both stuffed toys. But after spending some time with him, Angie realises that the wild Jack isn't her type at all. Similarly, Debbie finds David's company so boring that he almost drives her mad. So the girls and boys swap dates.

As it turns out, the loudmouth Debbie is just the girl for Jack, and David's charms are just what Angie is after. The two couples have a blast in the amusement park and as the sun goes down, things get wilder.

In comes the obligatory '80s subplot involving hapless criminals! Enter Babyface, Patty and Harry - possibly the World's most brainless jewel thieves! Having hidden a diamond inside a stuffed toy earlier in the day, they set out to retrieve it, only to find the toy - and diamond - gone. So begins the mad chase to track down the thousands of dollars worth of rock and of course, the four unsuspecting teenagers are dragged right into the middle of it.

To everyone's surprise, Debbie's stuffed toy is the one containing the diamond, and the kids - following many a madcap chase scenes and a breakdancing contest - manage to end their summers with a bang.. Quite literally.


VERDICT: ★★★ ½



Okay, four teenagers hanging about in a theme park for the day is hardly the most action-packed of storylines, even when a bunch of criminals are thrown into the mix! But miraculously, this little-known Canadian gem is a cheery, kitschy and altogether stellar effort from the New World Pictures team.

From one scene to the next, Breaking All the Rules is packed with laughs and unforgettable moments that - while not creditable for any amount of classiness - will provoke a lot of grins and giggles. From Carolyn Dunn's unmistakably '80s outfits to the comical fantasy/dream sequence (an '80s b-movie staple), if you can disregard the oh so mandatory imbecilic subplot, you'll find yourself enjoying what you see. New World aren't all bad, and neither is Breaking All The Rules. To be honest, it's pretty freakin' terrific.



IMAGES/VIDEOS: [movie clip]



SOUNDTRACK:

It isn't any wonder that the flick was never entitled to its own soundtrack, though some of the tunes are great, especially the classic freestyle tune 'Let the Music Play' by Shannon. The tracklisting for the movie is the following:

1. Manish Bay - Muddy Waters
2. Kid Blue - Louise Goffin
3. Now and Then - The Shoes
4. Breaking All the Rules - Paul Booth
5. Get Up - Paul Booth
6. Fun Park - Paul Booth
7. It's Gettin' Hot in Here - Pieces of a Dream
8. Stop Foolin' Around - Yvonne Murray
9. That's My Girl - Stephen Ritchie
10. Let The Music Play - Shannon

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Beat Street [1984]

"Get down, brother, shuffle those feet, shake a little boogie to the sound of that beat"

New York. The Bronx. '84. Amateur musician Kenny (Guy Davis) has one aspiration in life; for his beats to be heard. Mixing all kinds of sounds and music, his original talent deserves much more than the confines of his bedroom, which he shares with his little brother and New York Breakers member, Lee (Robert Taylor). After losing an older brother years earlier, their mother isn't too pleased with their antics.

Ramon, Kenny's best friend, is a Puerto Rican kid with an uptight father and a passion for graffiti. With his art splashed all over the neighbourhood and more specifically, subway trains, he is determined to earn a name for himself, much to the dissatisfaction of his girlfriend's family.

Throw in the wannabe manager and business-savvy Chollie (Leon W. Grant), and you've got one hell of a gang, with one hell of a dream.

Local club the Roxy is the backdrop for b-boy battles and a hotspot for breakin', with Lee and the New York Breakers flaunting their moves wherever and whenever possible. The competition is hot between Lee's gang and the Rock Steady Crew, continually bursting out into break-offs to prove the better of the two. Not only a display of b-boying, the Roxy is the scene of Kenny's DJ sets, in hope that he'll manage to get himself noticed and make it big sooner or later. But it's Lee who gets the first break, meeting New York College choreographer Tracy (Rae Dawn Chong). Turning out to be the source of some welcomed inspiration, Tracy tapes some of his moves and encourages him to continue pursuing his dreams. However, romance soon blossoms between Tracy and Kenny, both sharing an interest in music.

After working his way up the food-chain, Kenny is hired for gigs at the Burning Spear, and with the help of entrepreneur Chollie, is approached by a talent scout who is impressed by his showcase at the club. Before he knows it, Kenny is offered a large-scale New Year's gig back at the Roxy.

Meanwhile, Ramon has plans for some major subway art, spotting a clean white train that in his opinion needs to be made beautiful. But tragedy strikes when the once-anonymous vandal tagger Spit decides to deface Ramon's newest work, leading to a scuffle on the railway tracks between the two graffiti artists. It all ends in tears, with both Spit and Ramon being electrocuted and killed in front of Kenny's eyes.

The group is mortified, especially Kenny, who has by now lost interest in almost everything, including his big upcoming gig. But he comes up with a plan that will not only make for a sublime show, but also a tribute to his best friend.


VERDICT: ★★★★



Beat Street, released directly after Breakin', has often been referred to as a 'knock-off' of it's so-called predecessor. In actual fact, contrary to immediate assumption, the two movies have less in common than you'd expect. For one thing, Beat Street manages to merge every single aspect of hip-hop perfectly. You see the movie from each of the characters' perspectives, and each character deals with a different aspect of the scene. It isn't disjointed at all, like you might think. Whereas Breakin' is set in LA, the goings on in Beat Street are all centred around the Bronx. Saying that, you might expect the film to be more grittier than it actually is, because like most '80s movies, some of the plot is a little sugar-coated, especially the romance between Rae Dawn Chong and Guy Davis.

If anything, i'd compare Beat Street to the 1983 movie Wild Style. Both movies were filmed in identical locations - and when I say identical, I mean identical - down to the same streets, even. Of all of these movies that apparently stole from one another, this movie is the better of the lot.


IMAGES/VIDEOS: [trailer]


SOUNDTRACK:


The soundtrack had been planned as a three-part release by Atlantic Records, who for some reason decided to get rid of the third installment. Many of the artists on both soundtracks actually appeared in the movie, which only adds to the appeal of the film.


1. Beat Street Breakdown - Grandmaster Melle Mel
2. Baptize the Beat - The System
3. Strangers in a Strange World - Jenny Burton & Patrick Jude
4. Frantic Situation - Afrika Bambaataa
5. Beat Street Strut - Juicy
6. US Girls - Sha Rock, Debbie D
7. This Could Be The Night - Cindy Mizelle
8. Breaker's Revenge - Arthur Baker
9. Tu Carino/Carmen's Theme - Ruben Blades

1. Son of Beat Street - Jazzy Jay
2. Give Me All - Juicy
3. Nothin's Gonna Come Easy - Tina B
4. Santas' Rap - The Treacherous Three
5. It's Alright By Me - Jenny Burton
6. Battle Cry - Rocker's Revenge
7. Phony 4 MCs - Ralph Rolle
8. Into the Night - La La


Yup. Enough to make an old school hip-hop lovers' mouth water.

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