Showing newest posts with label crown international pictures. Show older posts
Showing newest posts with label crown international pictures. Show older posts

The Virgin Queen of St. Francis High [1987]

"She made a promise. He made a bet. They made a dream come true."

During a game of pool at a popular watering hole, shy, social outcast Mike (Joseph R. Straface) becomes enthralled by virtuous high school beauty, Diane (Stacy Christensen). Enter slimy, slick Brit Randy (Lee Barringer). We've already established that he is the villain of the proceedings due to all his sneering and heinously patterned sweaters. Under the impression that "the virgin queen" will succumb to only his charm, Randy proposes a $2,000 wager on the terms that sheepish Mike cannot conquer St. Francis High's ultimate symbol of chastity and have Diane spend the night with him at the famed Paradise Bungalows. Intent on victory, Mike and his clever accomplice Charles (J.T. Wotton) set out to bag the babe, the money, and to prove the school tough guy wrong.

Following a botched first attempt at attracting Diane's attention, Mike is plagued by a series of nightmares resembling a fanboy 007 movie. They tend to drag on for a number of minutes and involve endless slow-mo action, toy guns that go "bang" without bullets, shootouts in empty car parks and Diane, sporting a particularly bad perm, kidnapped by Randy, "spy extraordinaire".

At the nearby lake, a popular hangout spot for girls in bikinis, Mike and Charles steal some swimming trunks from a washing line and casually join in on the sunbathing. In a shameless ploy which works to their advantage, Diane is introduced to Bond - Mike Bond - and expresses some interest in him when he boasts of his alleged abilities in the water. She challenges him to a swim and he agrees, only to make a fool of himself and have his cool facade crumble when Diane must play lifeguard and rescue him from a watery death. Out of sheer pity, Diane spends some time with Mike, who gallantly saves her from a frenzied creepy-crawly attack in the forest. He tells her that a stay at Paradise Bungalows would be adequate gratitude for his bravery. Makes sense right? It's only courteous to fornicate with the guy who saved you from certain fate involving a daddy long legs. Alas, Diane just does not see the logic. She rejects, despite Mike's insistence that his intentions are good and true.

Next on the cards is lunch at Diane's place. Fearing the wrath of her mother, who is known for her vendettas against possible suitors, Mike covers his face and tells her he is severely deformed (which isn't too far from the truth - this kid is as desirable and has about as much personality as a sock puppet) so that he gains her sympathy. The prank has the desired effect and Diane's tearful mother commends her daughter for her involvement with such "a special young man", who she believes is some sort of modern day elephant man. Diane doesn't take the joke too lightly and is furious when Mike maintains the manipulative act, wearing a helmet as disguise. His guilty conscience catches up with him after leaving Diane's house and coming to realize the sleaziness of he and Randy's arrangement, looking to lay the bet to rest and salvage Diane's dignity. Set on seeing the virgin queen "knocked from her perch", Randy and his tough pals refuse to compromise, leaving Mike in hot water.

Against her better judgement and the advice of her best friend, Diane comes around to the Paradise Bungalows notion and tells Mike to make reservations. Her mother is left in the dark and the couple head off to the St. Francis High deflowering location of choice, where they let their inhibitions fly free and share a steamy, untamed night of.. Monopoly tournaments. When Mike does eventually get the virgin queen in his bed (through unscrupulous methods of story telling) the cabin is ravaged by a stuntman in a phony bear suit, interrupting the long-awaited deed. Lo and behold, Diane's purity remains intact.

The shock comes when smarmy Randy blabs about the wager and Diane's best friend is made aware of Mike's intentions. Soon enough, Diane catches on, demanding an explanation. Problem is, Mike has fallen for girl and refuses to accept Randy's dirty money, insisting he never got into Diane's pants and forcing the bet to be settled by other means. In a Spaghetti Western-style stand off, Randy and Mike briefly scrap before agreeing on resolution by chickie run. In a predictable twist of events, Mike is crowned chickie run King and is forgiven by Diane. And in an ending more sickly than maple syrup, the kids all become pals and Randy sheds his bad guy persona in favour of sweetness and light.


VERDICT: ★ ½



An irritating sermon posing as a provocative teen comedy, The Virgin Queen of St. Francis High fails to deliver laughs or raunch and whatever morals it attempts to preach are wishy-washy ones. Canadian made and on a budget shorter than a shoestring, the sets are limited, the script is bad, and the acting would have been better had the movie starred a bunch of cardboard cut-outs. Dubbing is appalling and the soundtrack (which would be the only reason to recommend this film) has been craftily placed to disguise the constant hiss of background noise. There are some truly awful IQ-lowering moments, including an absurd, unfunny scene where our hero repeatedly bashes a spider with a chunk of wood, the pathetically staged "bear attack" and the umpteen minutes of James Bond dream sequence that seems to have been slotted in as a time-killer. Chemistry between the leads is nonexistent and their blossoming relationship is flaky and unbelievable, built on nothing more than Diane's pity for the imbecilic Mike.

Distributed by Crown International Pictures - an unusual choice going by Crown's track record - The Virgin Queen of St. Francis High seems to have been made to teach horny teens a lesson. What you expect is a world away from what you get with this movie - it isn't even set in high school, the virgin queen remains a virgin, and the softcore porn expectations are skewed the minute you realize what you've let yourself in for is a PG-13 romance with Christian undertones. It can be commended for its innocence, though, which is a rare surprise. Notwithstanding, as well-meaning as The Virgin Queen of St. Francis High may have been, the end result is ultimately an unsatisfying one, and one that is best avoided.


IMAGES/VIDEOS: [movie clip]




SOUNDTRACK:



01. She - Brad Steckel
02. Tears in Their Eyes - Jay Sunday
03. For Love - Robert Hubele
04. Wired For Sound - Jay Sunday
05. Strange Things to Remember - Brad Steckel
06. I'm Your Hero - Brian Island
07. She's Giving It All Away - Jay Sunday
08. When You Lose Your Love - Brian Island
09. Heartache Woman - Robert Hubele
10. Wait For Another Day - Brad Steckel

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Jocks [1987]

"Champions aren't born ... they're made!"

Coach Bettlebom is an unmotivated college phys ed teacher who - in over ten years - hasn't once managed to win a sports trophy. His kids don't fare much better, and most of them aren't achieving much in terms of grades - to say the least. So when President White (Christopher Lee - yeah, THE Christopher Lee) decides to better the reputation of the college, he gives Bettlebom an ultimatum: construct a team of winners or else.

Tennis coach Chip Williams (Richard Roundtree) is the next in line for a lecture, this time from Bettlebom, who threatens to scrap the tennis program despite the team being the best the college has to offer. Defending the 'pansy' sport, Williams proposes that the team are ready for the big upcoming tennis tournament, and that if they lose, Bettlebom is entitled to rid the college of the sport.

Enter 'The Kid' (Scott Strader), college 'degenerate' and big time party animal. Along with the rest of the tennis team - the uptight Jeff (Perry Lang), insane Ripper (Donald Gibb - playing almost exactly the same character as he did in Revenge of the Nerds), campy Prince-like dude Andy, the women-obsessed Tex (Adam Mills), and crazy Mexican Chito (Trinidad Silver), they're shipped off to Las Vegas to compete in the contest.

As you can imagine, most of the team are more interested in gambling, getting laid, and all-round partying rather than the competition. However, none of them are aware how high the stakes really are and Williams and Bettlebom do a good job in keeping their agreement under wraps.

First up, a night of drinking is in order and, ignoring William's strict orders to keep on top form for the match, they drive off to a nearby club. It isn't long before they're approached by all-too-friendly team members from a rival college, whose intentions aren't as good as first assumed - setting the Kid and his teammates up. By the time the next day rolls around, the guys are completely hungover and in no state for the first round match.

Having obviously not learned from their mistakes and not too bothered about the contest, the Kid and the guys go off for another night of partying and by now, Williams is at wits end. At this point, the Kid has fallen for Nicole (Mariska Hargitay) - a girl who just happens to be from the rival college. Whilst the two share a motel room, the rest of the guys are out getting pretty drunk. All seems peachy until Bettlebom shows his face and goes hunting for the team to tell them that their partying has gotten them disqualified from the contest.

Williams and the guys are determined not to let Bettlebom get rid of the tennis program. A few hookers later, Bettlebom has been stitched up and some uncomplimentary photographic evidence allows the team to take part in the critical competition after all.

But that isn't the end to the scams, when the jealous rival competitors place a bet in the Kid's name, telling him that if his team loses, thousands of dollars will be coming his way. Will the Kid crumble under pressure?


VERDICT: ★ ½


Jocks, good for maybe a laugh or two - mainly at the badly handled tennis scenes - is nothing worth going out of your way to find. Contradicting that statement, it is worth seeing if only for the weird and wonderful cast.

All in all, a not quite mind numbing attempt from Crown International Pictures at a partially serious teen sports movie, full of madly misplaced faces (Christopher Lee -seriously!) and a humdrum seen-it-all-before storyline.


IMAGES/VIDEOS: [movie clip]



SOUNDTRACK:


1. Foxy Lady - John Finley
2. Dirty With You - John Finley
3. Tonight - Pamela Neal
4. Got Some Lovin' For You - Pamela Neal
5. Road Trip - Phillip Kennard, Tim Bryson & Bob Irving
6. Misbehavin' - Phillip Kennard with The Pups
7. How Many Times - Linda Peaches Green
8. Power Play - Jimmy Osmond
9. Body Bruiser - Stephen Tavani
10. Gettin' Hot in Here - Linda Peaches Green
11. Sugar & Spice - Linda Peaches Green
12. Willie Willie - David Backstrom
13. In Trouble Again - David Backstrom & Terry Wilson

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Weekend Pass [1984]

"72 hours of liberty to forget everything the Navy ever taught them"

Three navy recruits - Webster, Bunker and Fricker - are given their first weekend pass which they use to spend 72 hours partying in LA. But before leaving boot camp, the guys decide to have a little mercy on fellow recruit and friendless nerd, Lester Gidley, who ends up tagging along on their party-hard three day trip.

First stop - unsurprisingly - strip club, where they fail in their attempts to pick up any women. So it's off to Venice beach, girl picking-up attempt #2, where Bunker sets his sights on aerobics instructor Tina Wells. Trying to impress her and failing miserably leads the boys to their next stop, an aerobics center where Bunker's dream girl works. Again, Bunker's offers for a date are turned down, but he isn't about to give up.

Back at the motel, Webster is scouring the newspaper and finds an ad for 'Kimono My Place Massage', which he and the guys decide to call, setting Lester up a date with 'Chop Suzi'. They have a fun time of spying on him while the Thai massage 'pro' does her stuff.

Next day and the boys are off on a tour around LA with Bunker leading the way through Melrose Avenue, home to 'the baddest clothes in all of Los Angeles'. Once they leave the New Wave neighbourhood, they head off to Bunker's old turf, which turns out to be a bad idea when the guys come face to face with a gang from Bunker's past, known as the Mau Maus. Dressed (badly) in bright orange and animal print with cut off vests and headbands, the Mau Maus, complete with war drums blasting out of their boom box, challenge Bunker to a fight. Alls well that ends well when the cops show up just in time to stop a fist bashing.

Later that evening, the arrogant Fricker gets himself a stand up gig at a place known as the comedy castle, which is again another bad idea when he stinks out the audience totally and completely. The only upside is the fact he meets fellow comedienne and Catholic girl Heidi. Meanwhile, Webster is on a disastrous date with the annoyingly fake Cindy, who he ditches at the last minute.

Sunday - the final day of freedom - and the guys go along to a dance. Fricker inviting Heidi, Bunker convincing Tina to show, Lester miraculously setting up his own date with a girl called Tawny, and Webster going alone until meeting Tawny's pretty cousin Maxine. Finally, the guys have fulfilled their wishes for the weekend, and, having each met the girl of their dreams, it's off to boot camp once again.


VERDICT:



I don't think it can be put much simpler: don't see it. Weekend Pass is an indistinguishably boring flick from Crown that has virtually no redeeming qualities. The only novelty and plus note about the whole movie is the array of early '80s LA scenery - beaches, nightlife, and especially the underground hotspot, Melrose Avenue, which was a real fun little segment of film. It really captures the New Wave crowd of the times (if only for a few minutes) and it's great to catch a glimpse of what is described on Wikipedia as:

"The eastern end of the district, which runs from Fairfax to Highland Avenue, became a popular underground and new wave shopping area in the early 1980s, featuring the opening of stores such as Vinyl Fetish and Retail Slut, both of which closed several years ago. The Burger That Ate L.A., a landmark fast food stand, was replaced with a Starbucks in recent years, and the area has witnessed an upsurge in tourism and a significant decrease of the underground and countercultural elements. The original Johnny Rockets opened in this part of Melrose in 1986."


IMAGES/VIDEOS: [trailer]



SOUNDTRACK:


1. Weekend Pass - Robbie Baer
2. All Night Love - Robbie Baer & Beth Beaudin
3. Hard As A Rock - Michael Fennelly
4. Beach Nut - John & Robbie Baer
5. LA Extra (Read About Me) - John Baer
6. Free Me From The Night Life - Andrea Robinson

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Tomboy [1985]


"It's not just a man's world anymore."

Tomboy begins with Betsy Russell, or, Tommy, waking up in her sporty, boyish bedroom. Once the obligatory b-movie shower scene is out the way, she's off to work for the day as - you guessed it - a car mechanic!

A high-flying millionaire then comes to pick up his flash car (which, with Tommy being the genius that she is, repaired herself). When he arrives, he turns up with none other than the pin-up car racing champ that Tommy adores: Randy Starr.

Once they've met briefly, Tommy leaves to meet up with best friend Seville who is busy in a dance audition - possibly one of THE campest '80s dance scenes, aside from a couple of others not worth mentioning. Another shower scene is chucked in (since when were male and female shower rooms joined together?!) and afterwards Tommy & Seville go and hang out in a bar.

Next comes a very unconvincing speech from Betsy about how 'you shouldn't depend on anyone other than yourself'. The cuteness is cut short, however, when her and Seville are hit on by a couple of leery guys, who chase them out of the bar. There's then a whole chase sequence, with the girl's on Tommy's motorbike and the guy's behind in their car.

Seville tries her best shot at fame but only ends up in a raunchy donut commercial. She thinks she's going places, that is, until she is paid for her work in donuts!

Meanwhile, the girls are getting friendly with Randy Starr and his millionaire pal at a party, where Tommy & Randy of course end up getting it on.

Soon after, Tommy hears about an upcoming race and bets Randy she can beat him. She decides to soup-up her own race car and enter despite the fact Randy Starr is a total pro. Can she beat him? You better believe it!


VERDICT: ★★



Tomboy, while having it's good points, is just a bit too boring and predictable. Most of the enjoyable moments tend to get lost among scenes that just seem to have been chucked in to kill some time. Which is sad when you consider that there actually are some reasonably well done scenes and gags, not to mention quite a few unintentionally gut busting moments.

Low budget regulars Betsy Russell and Kristi Somers make for almost believable girl pals, with Somers delivering most of the laughs throughout the hour and a half. The acting completely stinks, to put it nicely. But once you get past the cliches, the wooden cast, the bad hair, the corny music and dancing.. You might just find something worthwhile. It's Crown - what do you expect?


IMAGES/VIDEOS: [trailer]



SOUNDTRACK:


A soundtrack was apparently available on MCA/Curb Records - according to the end credits of the movie. The songs listed in the credits may not all feature on the soundtrack, (if one really does exist, it is incredibly scarce) but they are listed as follows:


1. Tomboy - Souvenir
2. Feelin' My Way - P.F. Solo
3. Too Many Hearts to Love - Brittany
4. Somethin's Gettin' Into Me - Brittany
5. Night Patrol - Brittany
6. Curiosity - Moses
7. Heat Me Up - Linda Stevens Foote
8. Nowhere With You - Linda Stevens Foote
9. Lovers Are Losers - Lonnie Alan
10. United or Divided - Snuff


You will find yourself humming the title tune, and also 'Curiosity' by Moses from the kitschtastic dance audition - so beware!

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