Showing newest posts with label nightclub. Show older posts
Showing newest posts with label nightclub. Show older posts

Fast Forward [1985]

"When you've got one shot at the top you've got to move"

The Adventurous Eight - a group of (how many? Err, eight!) teenagers from a small town in Ohio who crave stardom so badly that they spend their spare time rehearsing their home made songs and dance routines in a locked up old building after knocking off from school each day. But in the smallest towns lie the biggest of dreams, and these eight kids have all the determination and drive they need to take them all the way to the top. But getting there is the hard part.

A reluctant promise of an audition from a bigshot dance exec leads the kids to the Big - and mean - Apple, but on arrival at the company headquarters they are greeted by some unexpected and unfortunate news. The very guy who had promised them an audition had not only left the dance business, but died! Having travelled all the way to New York City, the Adventurous Eight refuse to be rejected, and the two (and only) male members of the group - Matt and Michael - take the situation into their own hands and try a bit of pleading. Begging the new company owner to give them a shot, he eventually gives in, telling them to audition in two weeks time. Bad news! None of the teens had banked on staying for that long, neither did they have enough cash in their pockets to. But giving in so easily isn't an option..

The kids come to the decision that the only way of making it is to stay and show the world what they're made of. So they rent a rather squalid apartment, spruce it up, and assemble a plan to raise enough money to live on until the day of the big audition. Step one: crashing a swank restaurant to showcase their moves. Miraculously, their routine leads to a standing ovation from the wealthy diners, who proceed to throw their money at the talented gang.

Over the next couple of weeks, the Adventurous Eight continue to raise money by any means possible: passing out business cards; dancing in front of crowds on the streets; you name it. But all work and no play isn't a phrase in the teenagers' dictionary and with the chance to hit the clubs and check out a famous dance hotspot, they can't resist. What they don't realize is that word has gotten out of their talents and a local badass dance crew ain't too happy about their presence. Time for a dance battle, baby! Only, this is one battle the small town country kids are destined to lose.

On a downer after being upstaged by the fresh dancers at 'The Zoo', and well aware that their audition day will soon be arriving, the Adventurous Eight vow to step up their act. And what that calls for is practice, practice, practice. Will they be able to get their own back and not die from embarrassment this time around?

Impressing the club-goers isn't their number one priority, and next in line is their shot at the big time with Sabel Industries. Turning up for their anxiously awaited audition, the kids face another huge knock-back when they are rejected once again, and in spite of the verbal contract between them and the company owner, it turns out to be yet another false promise. Furious that they have been deceived, a persistent Matt and Michael conspire one final plot which is to be their last lifeline on the road to fame. Will they make it to the huge Sabel talent contest? And will all their blood, sweat and tears pay off in the end?


VERDICT: ★★★ ½


Woah! What's this movie called again? Loose Footed Teenagers in Spandex Just Want to Have Fun While Pursuing Fame and Dancing Flashly But Not So Dirtily 2: Electric Boogaloo? Oh no. I got a little confused there.

We all know that the wondrous '80s pumped out a multitude of dance movies. I mean, there are just so many of the damn things that they are in a universe of their own. Fast Forward is one that is very rarely mentioned, even among geeks of the genre. Although it is nothing you haven't seen before, it's a shamelessly enjoyable romp about wearing leg warmers and making your dreams come true. It has the obligatory dance battle, the fixing up of a run-down building, the whole "we can make it no matter what" attitude. You just can't match flicks like these (not these days, anyway). Inevitably, you've gotta cringe through some corny bits of acting, but on a whole that side of things is a lot more bearable than you'd expect.

A harmless bit of fun, complete with a generous amount of staple '80s fashions and fads, a plot that can never be taken too seriously, and a guy dressed as Boy George.


IMAGES/VIDEOS: [movie clip]



SOUNDTRACK:


Only one complaint to make about the soundtrack. In fact, the soundtrack isn't at fault here - the movie only features a few seconds of Siedah Garrett's Do You Want It Right Now. Hands down, the best track in the entire movie. Breakin' Out isn't too far behind in terms of awesomeness, though.


1. Breakin' Out - Deco
2. Do You Want It Right Now - Siedah Garrett
3. Long as We Believe - Siedah Garrett & David Swanson
4. Curves - Deco
5. Taste - Deco
6. Showdown - Pulse
7. Survive - Deco
8. Fast Forward - Deco

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The Night Before [1988]

"You lost your father's car. Sold your prom date. And a guy called 'Tito' wants you dead"

Waking up dishevelled in a back alley in LA, Winston Connelly (Keanu Reeves) is having a hard time recollecting how he ended up in such a state. Suited in a grubby white tux, having lost his wallet, his car, his prom date and his bearings, wanders into a dodgy backstreet diner hoping to get his thoughts back and work out what the hell happened the night before.

Slowly but surely, the previous night's events begin to unfold in a series of flashbacks, the first a reminder of a rather unwanted family discussion during dinner the previous day. As he sips his coffee, he digs out a 'security parking' ticket from the pocket of his tux, wandering out to find his dad's car parked close by. Scouring his pockets for the keys, they're nowhere to be found, and just as a guy approaches offering help to get into the vehicle, he is hit by another flashback.

It's before the prom. He's off to pick up his date, hoping to impress her in his dad's convertible. Being the vice president of the astronomy club, Winston isn't too popular, but miraculously, his date is the most beautiful and popular girl in the entire school - cheerleader Tara Mitchell (Lori Loughlin). As it turns out, Winston's lucky date was all thanks to a losing bet between Tara and best friend Lisa. The memory stops there as Winston realises his car has just been stolen!

A few words with the parking attendant leaves Winston even more confused, discovering a guy named Tito is after him. Tito? Who the hell is Tito!? Time for another callback from the memory department, this time of the car journey to prom.. Or the journey that should have lead them to prom, at least! A major navigation fail, leaving Tara and him in a seedy downtown location, littered with hookers, thieves and a whole bunch of scary looking thugs - including some lunatic who successfully swipes Winston's wallet after lunging through the car window! To make things worse, the tank is nearly out of gas. No cash. No gas. No chance.

Stopping off at a bar, Winston gets a little carried away with himself, and despite a warning from a bar-regular, has a shot of the barman's dodgy tequila. It's then bye bye high school dork and hello hustler Connelly, as he accidentally sells 'hooker' Tara for one and a half grand! A drunken ballroom style dance is an end to the laughs, and from here on in, things start to get dirty!

Still having trouble recalling the entire nights events, Winston sets out to find his date. After various run-ins with toy store robbers, prostitutes and gangsters, he manages to teach a few bad guys a lesson.. But will he rescue Tara?


VERDICT: ★★★★


The Night Before is one of those fun, totally unbelievable movies, full of wildly ridiculous humour that'll make you laugh like Keanu Reeves on tequila. These kinds of movies from back in his early days often hold my attention a lot more so than his newer stuff, mainly because his teenage characters are more believable and more him! One of the awesome aspects of the character of Winston Connelly is the fact he is a complete dufus, and all you can think the entire time is TED THEODORE LOGAN. Of Lori Loughlin's movies, The Night Before is sillier, funnier and as lighthearted as you can get. Another nice point is the lack of crudeness, which you'd probably expect from a movie involving hookers & downtown LA!

Some brilliant tunes, scenes, and the typical feel-good ending. I mean, whats a teen movie without the *megasqueeee* ending? In all seriousness though.. How difficult can it be to get to prom?!


IMAGES/VIDEOS: [movie trailer]




SOUNDTRACK:


1. Danny Boy - Mark Davis
2. Way Over There - The P-Funk All-stars
3. Baby Boy - The P-Funk All-stars
4. Last Night - The Mar-Keys
5. Who'd Have Ever Thought We'd Be Friends - The P-Funk All-Stars
6. J.B. - Mark Davis
7. Salsa Groove - Mark Davis
8. Betty's Working Late Tonight - Mark Davis
9. I Smell Trouble - Ike & Tina Turner

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Modern Girls [1986]


"They're old enough to know better, and young enough not to care!"

Margo, CeCe and Kelly are best girlfriends. With boring nine to five jobs, they take full advantage of the LA nightlife at every opportunity. It begins on an average day; pretty Kelly (Virginia Madsen) is busy at work in the pet store - the guys outside more interested in her than the kittens in the window. Glamorous Margo (Daphne Zuniga), bored to death with her less-than-glamorous occupancy as a telephone salesgirl. And finally, the carefree CeCe (Cynthia Gibb), having a blast as a department-store worker, making-over customers in the beauty section - until her boss sacks her for transforming a middle-aged customer into an unsightly and brightly coloured punk!

When work hours are over and the sun goes down, the girls return to their apartment, and after a quick power-nap, are getting ready for a night on the town. Kelly, ditching Margo and CeCe, decides to take the car and whiz over to a club where her kinda-boyfriend-kinda-not - DJ, local legend, and asshole, Brad - is playing a set. There's soon a knock on the door from Kelly's so-called date, Clifford (Clayton Rohner). Margo glances out of the window, noticing Clifford's convertible and, realising her and CeCe have no car for the evening, invite him in. He asks after Kelly, with Margo replying; "didn't you know? We're meeting her later".

Clifford - CeCe soon nicknaming him Cliffy - doesn't seem too pleased about being roped into giving the girls a lift, but, believing he still has a date with Kelly, goes along with it. Turning up at a club, the girls and Cliffy approach Kelly who is across the room, all over her DJ kinda-boyfriend kinda-not. Cliffy is gutted, but Margo convinces him to cheer up and forget about it. Margo, Cliffy and CeCe dance & drink the night away, unaware that asshole Brad has done his usual stunt and rejected Kelly, leaving her alone and miserable. All of a sudden, the club begins to buzz and CeCe is ecstatic when the chart-topping rock star Bruno X (Clayton Rohner.. yup, he plays duel roles!) appears. Attempting to grab his attention but with no avail, she literally throws herself on him.. BOOM! Love at first sight. The club then gets raided and everyone scarpers, Cece and Margo following Cliffy back out to his car. After a heck of negotiation, the three go on a hunt for Bruno X, failing miserably on first attempt and almost getting shot off the road by terrorists!

Gasping for another drink, they wind up in a club full of goths - not the happiest of environments! Suddenly CeCe's brain clicks, finding a pack of matches with the name and number of a hotel on - the matches Bruno had given her earlier on! In another bid to track down CeCe's apparent true love, Cliffy poses as Bruno in order to call the hotel and listen to his messages. Succeeding, they rush downtown to the location of his video shoot, hoping to find the rock superstar.. but he is nowhere to be seen. Quickly switching their priorities, the gang of three start to worry about Kelly and, rather than wasting more of their time searching for Bruno, drive off to find her.

Arriving just in time to rescue Kelly from a sticky situation involving ecstasy and a pool table, they bundle into the car. Putting two and two together, they come up with and idea that CeCe won't let go of, in the hope that it'll lead her to Bruno X. Turning up at an exclusive club where they believe Bruno might be hanging out, they swindle their way in with Cliffy being passed off as a cool Bruno X lookalike. Again, their search seems to be getting them nowhere, and CeCe's patience is running thin. When all seems lost - by a stroke of luck - she runs into a guy who seems to have just the information she wants about the whereabouts of the love of her life. Just when she thinks the guy of her dreams is within her grasp, Kelly disappears, whisked away by a guy she'd met earlier that evening. Cliffy and the girls start to worry about her and another mad chase ensues, leading to all four being held up in the police station.

Tired, weary and out of luck, Cliffy, Margo, CeCe and Kelly have just about had enough for the night. But CeCe won't give in that easily and, knowing Bruno X might be closer than they think, they give it one last go at finding the MTV star.


VERDICT: ★★★ ½



Granted, Modern Girls doesn't have the greatest plot, and to some may feel a little pointless at the end of the hour and twenty minutes. But, you will honestly not find a more '80s movie anywhere, ever. You've got LA nightlife, you've got clubkids and their outrageous outfits, you've got a bunch of girls living in just about the most trendily decorated and furnished apartment of 1986, you've got one of the most well-assembled soundtracks of the decade, you've got essential '80s stars.. The list could go on and on and on. Every single aspect of the movie is something that, today, wouldn't be seen anywhere. And for that, Modern Girls deserves to be bought a drink.

If you can't appreciate this movie for what it is, for the fact that it carries you right back to the neon-lit decade of synth-pop and flame-coloured eyeshadow, then you really shouldn't bother with '80s movies at all. You gotta dust your tape machine off for this one too, still out of print and unlikely to be released on any shiny little disks anytime soon. But, once the credits roll and you press rewind, the whirring in your ears of those reels winding themselves backwards just adds to the once contemporary, now wickedly outdated (and all the better for it!) experience of Modern Girls.

You'd be silly not to check out the treasure trove of a site dedicated to this movie, moderngirlsmovie.com. How cool is that?!


IMAGES/VIDEOS: [movie clip]





SOUNDTRACK:



The Modern Girls soundtrack is a great mix of new-wave and synth-pop tunes, and usually you'll find more than one LP/cassette up on ebay for less than the price of a hamburger. A great soundtrack, standout tune being But Not Tonight by Depeche Mode - then again, each and every song fits perfectly with the accompanying scenes, for example Weak in the Presence of Beauty which plays during
CeCe & Bruno's first kiss.


1. But Not Tonight - Depeche Mode
2. How Many Lovers - Anthony & the Camp
3. Weak in the Presence of Beauty - Floy Joy
4. Girl Pulled a Dog - Femal Body Inspectors
5. Girls Night Out - Toni Basil
6. Concentration Breakdown - George Black
7. Jealousy - Club Nouveau
8. No Promises - Icehouse
9. One Way Love - TKA
10. Some Candy Talking - The Jesus and Mary Chain


The soundtrack is excellent, but is unfortunately incomplete, with many songs featured in the movie now near-impossible to get your hands on. Modern Girls lovers are often on the lookout for tracks performed by the voice behind Bruno X, Scott Rogness, however they seem to have faded into total obscurity - much to the disappointment of Bruno X fangirls (including myself).

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